At Theory Culture and Society (open access). Here is part of what is in that volume:
In order to talk about the future of art after the ‘end of art’, i.e. towards it and from within it, Sloterdijk deems it necessary to firstly talk about the future of the future. It is a question of the ‘world system’ of credit, based on virtualised spaces.,where every ‘reasonable’ person acts ‘as if’ s/he obeyed the “categorical imperative of a Kantian enlightened by a stock market report: act in a way that the maxim of your borrowing could at any time serve as principle of a universal law of the apocalypse” (457). In this highly individualised system, imaginary temporal commonalities have broken into pieces and the only common denominator might be that we are living in a historico-philosophically defined ‘risk society’ (460). However, every synchronisation also creates a-synchronisation – as such, this ‘global’ risk society in turn also already in- and excludes phenomena which are withdrawing from it and in this way create their own different temporalities, i.e. different forms of living.